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From Chapter 4: Some of the Puritan colonists in America took a strong line on the subject. Under the famous "Blue Laws" of 1650 it was ordered by the General Court of Connecticut that no one under twenty-one was to smoke—"nor any other that hath not already accustomed himself to the use thereof." And no smoker could enjoy his pipe unless he obtained a doctor's certificate that tobacco would be "usefull for him, and allso that he hath received a lycense from the Courte for the same." But the unhappy smoker having passed the doctor and obtained his licence was still harassed by restrictions, for it was ordered that no man within the colony, after the publication of the order, should take any tobacco publicly "in the streett, highwayes, or any barn-yardes, or uppon training dayes, in any open places, under the penalty of six-pence for each offence against this order." The ingenuities of petty tyranny are ineffable. It is said that these "Blue Laws" are not authentic; but if they are not literally true, they are certainly well invented, for most of them can be paralleled and illustrated by laws and regulations of undoubted authenticity.
From Chapter 5: Country gentlemen smoked just as much as town mechanics and tradesmen. In 1688 Hervey, afterwards Earl of Bristol, wrote to Mr. Thomas Cullum, of Hawsted Place, desiring "to be remembered by the witty smoakers of Hawsted." A later Cullum, Sir John, published in 1784 a "History and Antiquities of Hawsted," and in describing Hawsted Place, which was rebuilt about 1570, says that there was a small apartment called the smoking-room—"a name," he says, "it acquired probably soon after it was built; and which it retained with good reason, as long as it stood." I should like to know on what authority Sir John Cullum could have made the assertion that the room was called the smoking-room from so early a date as the end of the sixteenth century. No mention in print of a smoking-room has been found for the purposes of the Oxford Dictionary earlier than 1689. In Shadwell's "Bury Fair" of that date Lady Fantast says to her husband, Mr. Oldwit, who loves to tell of his early meetings with Ben Jonson and other literary heroes of a bygone day, "While all the Beau Monde, as my daughter says, are with us in the drawing-room, you have none but ill-bred, witless drunkards with you in your smoking-room." As Mr. Oldwit himself, in another scene of the same play, says to his friends, "We'll into my smoking-room and sport about a brimmer," there was probably some excuse for his wife's remark. These country smoking-rooms were known in later days as stone-parlours, the floor being flagged for safety's sake; and the "stone-parlour" in many a squire's house was the scene of much conviviality, including, no doubt, abundant smoking.
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Cigarette and Tobacco Information:
From Chapter 2: Perhaps the most noteworthy thing about smoking at this period, from the social point of view, was its fashionableness. One of the marked characteristics of the gallant—the beau or dandy or "swell" of the time—was his devotion to tobacco. Earle says that a gallant was one that was born and shaped for his clothes—but clothes were only a part of his equipment. Bishop Hall, satirizing the young man of fashion in 1597, describes the delicacies with which he was accustomed to indulge his appetite, and adds that, having eaten, he "Quaffs a whole tunnel of tobacco smoke"; and old Robert Burton, in satirically enumerating the accomplishments of "a complete, a well-qualified gentleman," names to "take tobacco with a grace," with hawking, riding, hunting, card-playing, dicing and the like. The qualifications for a gallant were described by another writer in 1603 as "to make good faces, to take Tobacco well, to spit well, to laugh like a waiting gentlewoman, to lie well, to blush for nothing, to looke big upon little fellowes, to scoffe with a grace ... and, for a neede, to ride prettie and well."
From Chapter 7: The examples and illustrations which have been given so far in this chapter relate to tradesmen and merchants, country gentlemen and the clergy. Other professional men smoked—we read in Fielding's "Amelia" of a doctor who in the evening "smoked his pillow-pipe, as the phrase is"—and among the rest of the people of equal or lower social standing smoking was as generally practised as in the preceding century. Handel, I may note, enjoyed his pipe. Dr. Burney, when a schoolboy at Chester, was "extremely curious to see so extraordinary a man," so when Handel went through that city in 1741 on his way to Ireland, young Burney "watched him narrowly as long as he remained in Chester," and among other things, had the felicity of seeing the great man "smoke a pipe, over a dish of coffee, at the Exchange Coffee-house," which was under the old Town Hall that stood opposite the present King's School, and in front of the present Town Hall. Gonzales, in his "Voyage to Great Britain," 1731, says that the use of tobacco was "very universal, and indeed not improper for so moist a climate." He tells us that though the taverns were very numerous yet the ale-houses were much more so. These ale-houses were visited by the inferior tradesmen, mechanics, journeymen, porters, coachmen, carmen, servants, and others whose pockets were not equal to the price of a glass of wine, which, apparently, was the more usual thing to call for at a tavern, properly so called. In the ale-house men of the various classes and occupations enumerated, says the traveller, would "sit promiscuously in common dirty rooms, with large fires, and clouds of tobacco, where one that is not used to them can scarce breathe or see."
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Tobacco History:
Cigarettes and Literature
From Chapter 2: smoking was not confined to the auditors on the stage, who paid sixpence each for a stool. There was the "lords' room" over the stage, which seems to have corresponded with the modern stage boxes, the price of admission to which appears to have been a shilling, where the pipe was also in full blast. Dekker tells how a gallant at a new play would take a place in the "twelve penny room, next the stage, because the lords and you may seem to be hail fellow, well met"; and Jonson, in "Every Man out of his Humour," 1600, speaks of one who pretended familiarity with courtiers, that he talked of them as if he had " taken tobacco with them over the stage, in the lords' room."
From Chapter 6: Thackeray pictures Dryden as sitting in his great chair at Will's Coffee-house, Russell Street, Covent Garden, tobacco-pipe in hand; but there is no evidence that Dryden smoked. The snuff-box was his symbol of authority. Budding wits thought themselves highly distinguished if they could obtain the honour of being allowed to take a pinch from it. Of Dr. Aldrich, who was Dean of Christ Church, Oxford, and who wrote a curious "Catch not more difficult to sing than diverting to hear, to be sung by four men smoaking their pipes," an anecdote has often been related, which illustrates his devotion to the weed. A bet was made by one undergraduate and taken by another, that at whatever time, however early, the Dean might be visited in his own den, he would be found smoking. As soon as the bet had been made the Dean was visited. The pair explained the reason for their call, when Aldrich, who must have been a good-tempered man, said, "Your friend has lost: I am not smoking, only filling my pipe."
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